• MELT: the memory of ice (topographic remix), by Betsey Biggs

    Emerson Media Art Gallery 25 Avery Street, Boston, Massachusetts, United States

    Emerson Contemporary has joined hands with the International Computer Music Conference (ICMC), one of the world's largest and most prestigious gatherings of sound artists, electroacoustic composers, and music technologists from across the globe. As a part of the installation track of ICMC 2025, presenting Betsey Bigg's MELT: the memory of ice - on display at Emerson Contemporary's...

  • Liminal by Zhitao Lin

    Emerson Media Art Gallery 25 Avery Street, Boston, Massachusetts, United States

    Emerson Contemporary has joined hands with the International Computer Music Conference (ICMC), one of the world's largest and most prestigious gatherings of sound artists, electroacoustic composers, and music technologists from across the globe. As a part of the installation track of ICMC 2025, presenting Liminal - on display at Emerson Contemporary's Media Art Gallery from June 11th...

  • Foresta-Inclusive: (ex)tending towards, by Jane Tingley

    Emerson Media Art Gallery 25 Avery Street, Boston, Massachusetts, United States

    Emerson Contemporary has joined hands with the International Computer Music Conference (ICMC), one of the world's largest and most prestigious gatherings of sound artists, electroacoustic composers, and music technologists from across the globe. As a part of the installation track of ICMC 2025, presenting Foresta-Inclusive: (ex)tending towards, by Jane Tingley - on display at Emerson Contemporary's Media...

  • 2025 GBFA THESIS EXHIBITION

    PUT THE SOIL OVER EVERY YEAR August 12–August 16, 2025 Isabella Gierbolini Esteva, Hanna Sato, and Gabriela Tamar In this dynamic exhibition of experimental works, these three artists introduce audiences to the various ways memories are constructed and how they transform recollection processes and sensibilities into an experiential ‘document’ that envisions the past in a...

  • Kameelah J. Rasheed: I have Asked Myself: “Can a Sentence be Haunted? And if so by what?”

    In her public poetry project I have Asked Myself:“Can a Sentence be Haunted? And if so by what?” Kameelah J. Rasheed responds to Boston's memorial landscape by exploring the layered histories of Boston as discovered in the archives of the Boston Athenaeum. Rasheed gathered marginalia and ornate typefaces from their collection of Boston’s oldest books....