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DTSTART;TZID=America/New_York:20241022T000000
DTEND;TZID=America/New_York:20241214T235959
DTSTAMP:20260604T214928
CREATED:20240527T170355Z
LAST-MODIFIED:20250214T194502Z
UID:10000082-1729555200-1734220799@emersoncontemporary.org
SUMMARY:Louis Cameron: NOW IS THE TIME
DESCRIPTION:Emerson Contemporary Presents: Billboards\, posters and text-based works in “Louis Cameron: Now Is the Time” Exhibition explores the civil rights movement\, gun violence\, and hip hop culture. \n\n\n\n\n\n\n\nEmerson Contemporary proudly presents Louis Cameron: Now is the Time\, featuring billboards\, posters and text-based works that explore the civil rights movement\, gun violence and hip hop culture. It is underway\, on view through December 14\, 2024 at Emerson College’s Media Art Gallery in the heart of downtown Boston.  \n\n\n\nThe free exhibition features several large-scale\, wall-mounted vinyl text pieces from the ongoing Hip Hop Onomatopoeia series\, a body of work that explores the conversation on gun violence within hip hop music. The works are text based\, using the onomatopoeia of gun shots in hip hop songs as their reference. Cameron focuses on onomatopoeia because of its emotional resonance. Additional works from the Excavation and Displacement series are also on view. \n\n\n\nExclusively for this exhibition\, Cameron designed a limited-edition take home poster titled \n\n\n\n\n\n\n\nI Got To Have It\, serving as a monument to Hip Hop culture and black music in Boston. It features a poem that peels back the layers of a song to reveal its connections to the history of Black music. Indicative of Hip Hop’s sampling culture\, the poem is composed of a source song and the song titles that it sampled from.  \n\n\n\nNotably\, these sampled songs touch on key points in the lineage of Black music such as James Brown\, the Blues\, and spirituals. The poster addresses urban realities and gun violence\, the self-determination of the Black Power movement of the late 1960s\, and features the title of a song that refers to the African American spirituals such as Wade in the Water. The choice of typeface provides a reference to Hip Hop culture for the presentation of the poem. \n\n\n\nAdditionally\, Cameron will present the “I AM… Portfolio” a group of posters addressing the recent violence against Black men and disregard for their lives in America. The title refers to rally calls and protest chants from the 1960s to the present. While violence against Black people is center stage in the current American cultural conversation\, presenting a project by Black male artists – including Sanford Biggers\, Rashid Johnson\, and Shaun Leonardo\, among others – offers valuable insights and counter representation. \n\n\n\nLouis Cameron was born in Xxxxxxxx\, Ohio\, USA; lives and works in Berlin\, Germany.  He earned a B.F.A. from the University of Southern California in Los Angeles\, and an M.F.A. from Tyler School of Art\, Temple University in Philadelphia.https://www.louiscameron.com/
URL:https://emersoncontemporary.org/event/louis-cameron-this-is-america/
LOCATION:Media Art Gallery\, 25 Avery Street\, Boston\, Massachusetts\, 02111
CATEGORIES:Artist Spotlight,Exhibition,Public Program
ATTACH;FMTTYPE=image/png:https://emersoncontemporary.org/wp-content/uploads/sites/51/2024/05/Screenshot-2024-05-27-at-12.59.27-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241022T000000
DTEND;TZID=America/New_York:20241022T235959
DTSTAMP:20260604T214928
CREATED:20240806T161521Z
LAST-MODIFIED:20240806T161523Z
UID:10000086-1729555200-1729641599@emersoncontemporary.org
SUMMARY:Emerson Contemporary Awarded $80\,000 Grant From The Andy Warhol Foundation
DESCRIPTION:Emerson Contemporary is excited to have received a generous $80\,000 grant from The Andy Warhol Foundation for the Visual Arts in support of our exhibitions and programming over the next two years. This contribution will have a profound impact on the gallery’s ability to present innovative and engaging visual art experiences to our community and fully support the artists we are exhibiting and inviting to our campus. \n\n\n\n\n\n\n\nOver the past five years\, under the leadership of Chair of Contemporary Art and Distinguished  Curator in Residence\, Dr. Leonie Bradbury\, Emerson Contemporary has developed a “teaching gallery” with an emphasis on presenting mid-career artists with time-based media practices\, including video and performance and those that explore emerging technologies such as augmented\, virtual\, and extended reality (AR/VR/XR)\, the only of its kind in New England.  \n\n\n\nEmerson Contemporary amplifies the voices of living artists who broaden how we understand our present moment and help us reimagine what is possible. We encourage experimentation\, commission new works\, and support artistic research through technological support and mentorship. In support of this mission\, they actively seek to create opportunities for working artists to engage with new technologies\, software tools\, creative technologists\, and the faculty expertise on our campus that are otherwise not accessible. \n\n\n\n\n\n\n\nIn accordance with Andy Warhol’s will\, the mission of The Andy Warhol Foundation for the Visual Arts is the advancement of the visual arts. The foundation manages a dynamic grants program while also preserving Warhol’s legacy through creative and responsible licensing policies and extensive scholarly research for ongoing catalogue raisonné projects. To date\, the foundation has given nearly $300 million in cash grants to over 1\,000 arts organizations across the country and abroad and has donated 52\,786 works of art to 322 institutions worldwide. \n\n\n\nThis grant will enable us to bring a range of exhibitions featuring both emerging and established artists\, foster critical dialogue through public programming\, and provide valuable educational opportunities for our audience. Says Bradbury\, “The Foundation puts visual art and artists at the center of their work. Their commitment to the arts is inspiring\, and we are honored to be among the recipients of their support. We look forward to the exciting and impactful work made possible by this grant.” 
URL:https://emersoncontemporary.org/event/emerson-contemporary-awarded-80000-grant-from-the-andy-warhol-foundation/
LOCATION:Media Art Gallery\, 25 Avery Street\, Boston\, Massachusetts\, 02111
CATEGORIES:News
ATTACH;FMTTYPE=image/png:https://emersoncontemporary.org/wp-content/uploads/sites/51/2024/05/Screenshot-2024-05-27-at-12.59.27-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240801T000000
DTEND;TZID=America/New_York:20241005T235959
DTSTAMP:20260604T214928
CREATED:20240527T164628Z
LAST-MODIFIED:20250328T155142Z
UID:10000080-1722470400-1728172799@emersoncontemporary.org
SUMMARY:off the pedestal
DESCRIPTION:off the pedestal is a group exhibition in the Media Art Gallery\, comprising contemporary artists whose work addresses the national conversation around monuments featuring visual artists Laura Anderson Barbata\, New Red Order\, and Paula J. Wilson.  \n\n\n\nView exhibition documentation. \n\n\n\nThis exhibition is on view in the Media Art Gallery at 25 Avery Street from August 1 – October 5\, 2024. The exhibition is free and open to the public Tuesday – Saturday\, 12-6 pm. This exhibition is part of Emerson Contemporary’s Regarding Monuments: Visualizing Hidden Histories\, a multi-year initiative that includes exhibitions centered on monuments\, several public art installations\, and a technology incubator.  \n\n\n\nCurated by Distinguished Curator-in-Residence Leonie Bradbury and Curator of Special Projects Shana Dumont Garr\, off the pedestal speaks directly to the national phenomenon of the removal of Confederate and other racist monuments in the wake of the police murder of George Floyd. Although monuments are generally presented as permanent\, timeless\, and expressive of universal values\, this exhibition proposes that public memory could be more effectively addressed and activated through ephemeral expressions.  \n\n\n\noff the pedestal is supported by the City of Boston Mayor’s Office of Arts & Culture (MOAC) program “Un-monument | Re-monument | De-monument: Transforming Boston.” It is a city-wide initiative that aims to transform the nation’s commemorative landscape to ensure collective histories are more completely and accurately represented.   \n\n\n\noff the pedestal is further supported by The Andy Warhol Foundation for the Visual Arts  \n\n\n\nLaura Anderson Barbata’s multidisciplinary performance work Indigo is a call to action in response to the violence and murder of Black persons at the hands of the police. A group of sixteen resplendent characters clad in hand-dyed fabrics\, woven details\, and ornate stitching\, many standing at the height of stilts\, powerfully demonstrate the textile art aspect of Barbata’s vision.  \n\n\n\nNew Red Order’s large-scale video installation Culture Capture: Crimes Against Reality examines the contradictions inherent in a society built on both the longing for indigeneity and the violent erasure of Indigenous peoples. They base their critique on historical events\, and the pacing of the digitized imagery\, accompanied by skillful sound design\, transports viewers into their speculative reveries.  \n\n\n\nPaula J. Wilson’s performative video Living Monument and 2D wall work Thyself monumentalize Black female bodies through dramatic scale and bold gestures. Her work elevates embodied histories and reminds us that joy and celebration are crucial parts of resistance. \n\n\n\nWorks featured in this exhibition include: \n\n\n\nNew Red Order\, Culture Capture: Crimes Against Reality\, HD video (video still)\, 2020\n\n\n\nA two-channel video Culture Capture: Crimes Against Reality by New Red Order (NRO)\, a public secret society that works with networks of informants and accomplices to create grounds for Indigenous futures. Crimes Against Reality focuses on two public sculptures by James Earle Fraser — End of the Trail (1894)\, a statue originally intended to be installed on the California coast at the scale of the Statue of Liberty\, and the statue of Theodore Roosevelt (1939) that was removed from outside the American Museum of Natural History\, in New York\, in 2022 — both of which commemorate the origin myth of America. \n\n\n\nLittle Jaguar (Laura Anderson Barbata) and Diablos (Jarana Beat). Intervention: Indigo\, Bushwick\, 2015. Photo: Rene Cervantes\n\n\n\n\n\nLaura Anderson Barbata Intervention: Indigo presents a call to action to serve and protect in response to police violence. The point of departure is the color Indigo\, a dye used around the globe that has been associated with protection\, wisdom and royalty.  Created in in collaboration with the Brooklyn Jumbies\, Chris Walker and Jarana Beat\, Indigo was performed first in Brooklyn and again in Mexico City in 2020 in collaboration with muca Roma\, Chris Walker\, Los Diablos de la Costa de Guerrero Los Rebeldes de El Capricho\, Elizabeth Ross\, Danza UNAM and Pro-Alterne Teatro. The work is a call to action to serve and protect\, and of protest in response to the violence and murder at the hands of the police of Black people living in the United States and all over the world.  \n\n\n\n\n\n\n\nPaula J. Wilson fuses wide-ranging techniques and media with her observations of the natural world\, where it is a matter of survival to make space for oneself to live\, love\, and make art. Recurring themes of feminine power\, natural life systems\, and art-making itself converge under the umbrella of regeneration and change. Narrative artworks that place feminine subjects in positions of power. Her expansive practice forcefully proclaims her place in the (art) histories she engages.
URL:https://emersoncontemporary.org/event/off-the-pedestal-art-in-protest/
LOCATION:Media Art Gallery\, 25 Avery Street\, Boston\, Massachusetts\, 02111
CATEGORIES:Artist Spotlight,Artist Talk,Exhibition,Performance,Public Program,Regarding Monuments: Visualizing Hidden Histories
ATTACH;FMTTYPE=image/jpeg:https://emersoncontemporary.org/wp-content/uploads/sites/51/2024/05/20150913_IndigioIntervention-NK_1195-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240501T120000
DTEND;TZID=America/New_York:20240630T190000
DTSTAMP:20260604T214928
CREATED:20240527T171024Z
LAST-MODIFIED:20240527T184352Z
UID:10000083-1714564800-1719774000@emersoncontemporary.org
SUMMARY:Transforming Boston: Art and Technology Incubator
DESCRIPTION:A workshop series conducted by Michael Lewy  \n\n\n\n\n\nTransforming Boston: Art and Technology Incubator is our public-facing artist training and mentorship initiative\, which offers access to new media technology for artists to either translate previous work or create new work. The incubator serves practicing artists who have faced obstacles due to the high start-up costs of these design tools and the cultural barriers within the new media art field. Ten artists from the Boston area have been invited to participate in this year’s program focused on Augmented Reality and develop their skills while designing a project. \n\n\n\n\n\n\n\nThis weekly confluence of ideas & creative exploration features guest lectures by Nicolas Robbe\, Lauren Moffett\, and Liz Nofziger. The goal of the 2024 incubator is to offer training opportunities and access to technology for artists to either translate previous work or create new work in the medium of augmented reality (AR). The program provides assistance with the production process\, technology exploration and mentorship.  \n\n\n\nThe 2025 cohort will focus on projection mapping.
URL:https://emersoncontemporary.org/event/transforming-boston-art-and-technology-incubator/
LOCATION:Media Art Gallery\, 25 Avery Street\, Boston\, Massachusetts\, 02111
CATEGORIES:Artist Talk,Gallery Talk,News,Regarding Monuments: Visualizing Hidden Histories
ATTACH;FMTTYPE=image/webp:https://emersoncontemporary.org/wp-content/uploads/sites/51/2024/05/two_shower_A_photo_realistic_banner_image_that_represents_the_f_7e6af655-37ff-43f2-bde6-fc7694933fc5.webp
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240227T163000
DTEND;TZID=America/New_York:20240227T180000
DTSTAMP:20260604T214928
CREATED:20240118T005954Z
LAST-MODIFIED:20240223T173713Z
UID:10000071-1709051400-1709056800@emersoncontemporary.org
SUMMARY:Kameelah J. Rasheed's Book Launch (NEW DATE)
DESCRIPTION:Attend the artist’s Scratch Disk Full launch event. THIS EVENT HAS BEEN RESCHEDULED DUE TO ARTIST ILLNESS to TUESDAY\, FEB. 27.. \n\n\n\n\n\nJoin our artist in residence Kameelah J. Rasheed for the launch of her book\, Scratch Disk FullAttendees will receive a complimentary copy of the publication. \n\n\n\n \n\n\n\nScratch Disks Full asks\, in the spirit of Sankofa: What did you leave behind? What would happen if you went back and got it? Scratch Disks Full is a publishing project for those with leaky sensory gating\, sprawling interests\, kinetic brains\, and “too many ideas.” We publish the excess\, the dirty data\, the spillage\, the noise\, the leftover\, and the unfulfilled.  \n\n\n\nA scratch disk is a hard disk used as a workspace to store data temporarily. In applications like Adobe Photoshop\, the scratch disk is used to hold the data being edited. When an error reads “… the scratch disks are full.” it means there is not enough space on the drive to perform the upcoming task. The users need to find space elsewhere or end the process; they are left holding the excess energy of an unfulfilled action.  \n\n\n\nScratch Disks Full is a publishing project producing readers\, workbooks\, and lo-fi playthings exploring the excess of an exhibition\, piece of writing\, lecture\, performance\, or even other publication. By excess\, we do not mean process work leading up to a final work; we literally mean the embodied experiences you could not give yourself over to due to spiritual unreadiness\, the sentences you had to blunt because there was not enough time for further editing; the feral idea that blossomed during a performance and began to shape you as much as you shaped it.  \n\n\n\nThis offering will explore the excess of the current exhibition — notes\, diagrams\, excerpts of writing\, and other leftovers. \n\n\n\nChristopher Gregory for The New York Times\n\n\n\nA learner\, Kameelah Janan Rasheed explores writing practices across all species\,states of living\, states of consciousness\, and substrates. Curious about the poetics and possibilities of loss\, ruin\, and failure in the reading and writing process\, Rasheedexplores Black knowledge production and fugitivity. She creates sprawling\,“architecturally-scaled” installations; public installations; publications; prints;performances; performance scores; poems; video; and other forms yet to bedetermined. Most recently\, she is a recipient of a 2023 Working Artist Fellowship; a2022 Schering Stiftung Award for Artistic Research; a 2022 Creative Capital Award; a2022 Artists + Machine Intelligence Grants – Experiments with Google; and a 2021Guggenheim Fellowship in Fine Arts.Her recent solo exhibitions include KW Institute of Contemporary Art (2023)\, Art Institute of Chicago (2023)\, and Kunstverein Hannover (2022). In 2024\, she will have a solo exhibition at REDCAT (Los Angeles\, CA). Rasheed is the author of five artists’ books:in the coherence\, we weep (KW Institute\, 2023); i am not done yet (Mousse Publishing\,2022); An Alphabetical Accumulation of Approximate Observations (Endless Editions\,2019); No New Theories (Printed Matter\, 2019); and the digital publication Scoring theStacks (Brooklyn Public Library\, 2021). She is an adjunct instructor at the Cooper Unionand Barnard College\, a Critic at Yale School of Art\, Sculpture\, and an instructor at theSchool for Poetic Computation. Rasheed founded Orange Tangent Study\, a consultingbusiness that provides artist microgrants and supports individuals and institutions indesigning expansive and liberatory learning experiences. \n\n\n\nRasheed is represented by NOME Gallery in Berlin\, Germany.
URL:https://emersoncontemporary.org/event/kameelah-j-rasheeds-book-launch/
LOCATION:Media Art Gallery\, 25 Avery Street\, Boston\, Massachusetts\, 02111
CATEGORIES:Artist Talk,Gallery Talk,Public Program,Reception
ATTACH;FMTTYPE=image/jpeg:https://emersoncontemporary.org/wp-content/uploads/sites/51/2024/01/LucidDream_.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240226T140000
DTEND;TZID=America/New_York:20240226T160000
DTSTAMP:20260604T214928
CREATED:20240118T004624Z
LAST-MODIFIED:20240223T175458Z
UID:10000069-1708956000-1708963200@emersoncontemporary.org
SUMMARY:Writing With Word Games (**NEW DATE)
DESCRIPTION:Learn from visual artist Kameelah J. Rasheed. NEW DATE: MONDAY\, 26\, 2-4pm\, FEBRUARY. \n\n\n\n\n\nJoin our artist in residence Kameelah J. Rasheed in a Writing With Word Games workshop. \n\n\n\nRegister for this workshop over here. \n\n\n\nWriting With Word Games\, a text score workshop\, Friday\, February 26\, 2-4pm. Registration required: Eventbrite  \n\n\n\nLocation: Media Art Gallery\, 25 Avery Street\, Boston\, MA. \n\n\n\nGet out of your way and learn to write with games\, constraints\, and algorithms. The workshop’s purpose is not to create a perfect piece of writing; rather\, it is an invitation to get a bit feral and messy as we pull language into our orbit. Each participant will leave with a writing prompt created by another attendee. \n\n\n\ni am not done yet\, 2022. Solo at Kunstverein Hannover (Hannover\, DE) Archival Inkjet Prints\, Vellum\, Xerox Paper\, Acetate\, Plexiglass\, Acrylic\, Watercolor\, India Ink and Oil Stick Painting\, Video \n\n\n\nThe multimedia site-specific installation combines new video drafts and existing video works from the last three years. All created using some form of a writing and video editing constraint\, these works live alongside several 2D works also created using constraints to explore the agility and limitations of language. With an investment in Black experimental poetics\, non-linear cosmologies\, and fugivity\, Rasheed asks\, “What can be captured through writing? What is lost? And how can this inevitable loss be an invitation to consider other modes of communication?”
URL:https://emersoncontemporary.org/event/writing-with-word-games/
LOCATION:Media Art Gallery\, 25 Avery Street\, Boston\, Massachusetts\, 02111
CATEGORIES:Gallery Talk,Performance,Public Program,Workshop
ATTACH;FMTTYPE=image/jpeg:https://emersoncontemporary.org/wp-content/uploads/sites/51/2024/01/LucidDream_.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240123T170000
DTEND;TZID=America/New_York:20240323T190000
DTSTAMP:20260604T214928
CREATED:20240118T012419Z
LAST-MODIFIED:20240118T012421Z
UID:10000072-1706029200-1711220400@emersoncontemporary.org
SUMMARY:Kameelah Janan Rasheed
DESCRIPTION:Emerson Contemporary proudly presents our upcoming artist-in-residence\, Kameelah Janan Rasheed. \n\n\n\nall velvet sentences as manifesto\, Like a lesson against smooth language oran invitation to be feral hypertext\, a multimedia solo exhibition featuring the visual artist is on view in the Media Art Gallery at 25 Avery Street from January 23 – March 23\, 2024. Exhibition hours are Tuesday – Saturday\, 12-6pm. \n\n\n\nRasheed thinks conceptually about text\, type\, and printed matter and uses publishing as a platform to engage and enlarge conversations with others. Her work invites important questions about the materiality of text\, such as\, “What is the shape of a failed sentence?” or even to quote Fred Moten speaking to the work of Renee Gladman\, “Is there an underground railroad in the sentence?” These questions are central to the artist’s practice. \n\n\n\nChristopher Gregory for The New York Times\n\n\n\nA learner\, Kameelah Janan Rasheed explores writing practices across all species\,states of living\, states of consciousness\, and substrates. Curious about the poetics and \n\n\n\npossibilities of loss\, ruin\, and failure in the reading and writing process\, Rasheedexplores Black knowledge production and fugitivity. She creates sprawling\,“architecturally-scaled” installations; public installations; publications; prints;performances; performance scores; poems; video; and other forms yet to bedetermined. Most recently\, she is a recipient of a 2023 Working Artist Fellowship; a2022 Schering Stiftung Award for Artistic Research; a 2022 Creative Capital Award; a2022 Artists + Machine Intelligence Grants – Experiments with Google; and a 2021Guggenheim Fellowship in Fine Arts.Her recent solo exhibitions include KW Institute of Contemporary Art (2023)\, Art Institute of Chicago (2023)\, and Kunstverein Hannover (2022). In 2024\, she will have a solo exhibition at REDCAT (Los Angeles\, CA). Rasheed is the author of five artists’ books:in the coherence\, we weep (KW Institute\, 2023); i am not done yet (Mousse Publishing\,2022); An Alphabetical Accumulation of Approximate Observations (Endless Editions\,2019); No New Theories (Printed Matter\, 2019); and the digital publication Scoring theStacks (Brooklyn Public Library\, 2021). She is an adjunct instructor at the Cooper Unionand Barnard College\, a Critic at Yale School of Art\, Sculpture\, and an instructor at theSchool for Poetic Computation. Rasheed founded Orange Tangent Study\, a consultingbusiness that provides artist microgrants and supports individuals and institutions indesigning expansive and liberatory learning experiences.Rasheed is represented by NOME Gallery in Berlin\, Germany. \n\n\n\nExhibition hours are Tuesday – Saturday\, 12-6pm. 
URL:https://emersoncontemporary.org/event/kameelah-janan-rasheed/
LOCATION:Media Art Gallery\, 25 Avery Street\, Boston\, Massachusetts\, 02111
CATEGORIES:Artist Spotlight
ATTACH;FMTTYPE=image/jpeg:https://emersoncontemporary.org/wp-content/uploads/sites/51/2024/01/LucidDream_.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231114T180000
DTEND;TZID=America/New_York:20231114T193000
DTSTAMP:20260604T214928
CREATED:20231031T214509Z
LAST-MODIFIED:20240214T142923Z
UID:10000057-1699984800-1699990200@emersoncontemporary.org
SUMMARY:Live Performance\, Passage (2023) by Patricia Nguyễn and Fiona Ngô
DESCRIPTION:Still from “Collapse to Expand” by Patricia Nguyen\n\n\n\nA work of experimental sound and movement\, Passage explores how beauty and creativity emerge in the aftermath of war. The artists meditate upon the various thresholds and movements that happen for displaced peoples across the time and space of memory\, everyday encounters of state violence\, forced migration\, and queer worldmaking. \n\n\n\nThis event is free and open to the public.
URL:https://emersoncontemporary.org/event/live-performance-passage-2023-by-patricia-nguyen-and-fiona/
LOCATION:Media Art Gallery\, 25 Avery Street\, Boston\, Massachusetts\, 02111
CATEGORIES:Performance
ATTACH;FMTTYPE=image/png:https://emersoncontemporary.org/wp-content/uploads/sites/51/2023/10/Screenshot-2023-10-26-at-2.30.39-PM.png
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