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DTSTART;TZID=America/New_York:20260403T170000
DTEND;TZID=America/New_York:20260403T190000
DTSTAMP:20260604T223303
CREATED:20260317T203917Z
LAST-MODIFIED:20260428T173215Z
UID:10000151-1775235600-1775242800@emersoncontemporary.org
SUMMARY:Opening Reception for the student-curated exhibition\, GATHER
DESCRIPTION:Lisa Tang Liu\, Analog Girl In A Digital World\, 2023\, from the series “Self-Reconstructed\,” cyanotype print woven with inkjet print\, 14 x 14 inches\, courtesy of the artist\n\n\n\nThis opening reception celebrates the fourteen artists of GATHER\, a photography exhibition curated by students of a seminar\, Curating Contemporary Art\,” taught by Dr. Leslie Brown.  \n\n\n\nIn the pieces selected for GATHER\,  new themes emerge\, including communities and collection\, identity and queerness\, nostalgia and nature — all with an overall meditative and hopeful tone. In addition\, the chosen artists represent a wide geographical range\, gathering together artists from across Great Boston and New England. GATHER aims to weave these various threads together to make a larger whole and make a difference. \n\n\n\n* Please note: The Huret and Spector Gallery is located on the 6th Floor of the Tufte Building. Please enter through the doors at 10 Boylston Place Alleyway. Visitor registration and ID are required for visitors without an Emerson ID. Emerson Community need not RSVP. Contact mailto:contemporary@emerson.edu contemporary@emerson.edu for help registering before your visit. Hours are Monday through Friday\, 12-5 pm. \n\n\n\n \n\n\n\nRSVP for the Opening Reception
URL:https://emersoncontemporary.org/event/opening-reception-for-the-student-curated-exhibition-gather/
LOCATION:Huret & Spector Gallery; Tufte Building
CATEGORIES:Public Program,Reception
ATTACH;FMTTYPE=image/jpeg:https://emersoncontemporary.org/wp-content/uploads/sites/51/2026/03/Liu_AnalogGirlInADigitalWorld.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260331T120000
DTEND;TZID=America/New_York:20260408T170000
DTSTAMP:20260604T223303
CREATED:20260309T160803Z
LAST-MODIFIED:20260323T225957Z
UID:10000149-1774958400-1775667600@emersoncontemporary.org
SUMMARY:"GATHER"
DESCRIPTION:Image Credit: Shannon Johnson\, With one look you take me back to everything I used to be\, 2025\, from the series “Gathering Rosebuds\,” archival inkjet print and ink on Rives BFK paper\, 29 x 40 inches\, courtesy of the artist.\n\n\n\nHuret & Spector Gallery \n\n\n\nMarch 31 – April 8\, 2026 \n\n\n\nGATHER\, a student-curated exhibition of photographers and lens-based artists exploring meaning\, memory\, connection\, and community at a transformative moment. \n\n\n\nStudent Lightning Talks: Friday\, April 3rd\, Noon \n\n\n\nOpening Reception: Friday\, April 3rd\, 5-7 pm \n\n\n\nPhotography and related media have the power to knit together people\, places\, and things\, both literally and metaphorically. The present moment seems fraught with peril\, and systems appear to be unravelling. Yet\, at the same time\, we have witnessed the power of unity\, of people coming together to empower and support each other.From a thematic\, regional open call\, 14 emerging student-curators selected 14 emerging artists from New England\, ranging from undergraduate to graduate students\, emerging to more established\, and several pieces per person to present a fuller picture. The resulting exhibition GATHER showcases a broad range of media and genres\, including portrait and vernacular photography; printing and sewing on fabric; collaborative and woven imagery; video and 16mm film installation; and kinetic and multi-media sculpture — using analog\, digital\, and historical processes.  \n\n\n\nIn the pieces selected for GATHER\, we were delighted to see new themes emerge including communities and collection\, identity and queerness\, nostalgia and nature — all with an overall meditative and hopeful tone. In addition\, the chosen artists represent a wide geographical range\, gathering together artists from across Great Boston and New England. GATHER aims to weave these various threads together to make a larger whole and make a difference. \n\n\n\nGATHER was curated by upper-level Emerson undergraduate students (listed below) as part of the seminar VM415\, “Curating Contemporary Art\,” taught and led by Leslie K. Brown\, PhD. As a part of the class and the exhibition\, students are responsible for all aspects of the exhibition\, encompassing graphic designs\, loan agreements\, object checklists\, educational didactics\, social media assets\, and press materials. \n\n\n\nThe Artists of GATHER: \n\n\n\n“Alchemy of the Unknowns”:Lisa Tang Liu & James David Tabor (Stoughton\, MA & Phoenix\, AZ) \n\n\n\nalina balseiro (Medford\, MA)  \n\n\n\nDouglas Breault (Bridgewater\, MA) \n\n\n\nHaley Cooper (Abington\, MA)  \n\n\n\nBeth D’Elia (Barnstable\, MA) \n\n\n\nPorter Gifford (Cambridge\, MA)  \n\n\n\nMonica Hamilton (Salem\, MA)  \n\n\n\nJessie James (Medford\, MA) \n\n\n\nShannon Johnson (Boston\, MA) \n\n\n\nLee Kilpatrick (Arlington\, MA) \n\n\n\nLisa Tang Liu (Stoughton\, MA) \n\n\n\nJordan Marshall (Brookline\, MA)  \n\n\n\nMichelle Schapiro (Roxbury\, MA)  \n\n\n\nFrancine Weiss (Newport\, RI) \n\n\n\nEmerging student-curators of GATHER: Abigail Andrews\, Anjali Bakhru\, Dylan Boyd\, Sophie Dodd\, Claire English\, Julia Giammarco\, Lang Han\, Ruyi Huang\, Kitty Lei\, Daniel Petrylka\, Arlo Rader\, Jie Sun\, Bianca Todini\, Maya Wang.The students in Emerson Curatorial Practices represent majors from Media Arts Production (SOF)\, Writing\, Literature & Publishing (WLP)\, and Interdisciplinary Studies (IDS)\, with minors as diverse as Art History\, Curatorial Practice & Visual Culture\, History\, Philosophy\, Psychology\, Religion\, and Science. \n\n\n\n* Please note: The Huret and Spector Gallery is located on the 6th Floor of the Tufte Building. Please enter through the doors at 10 Boylston Place Alleyway. Visitor registration and ID are required for visitors without an Emerson ID. Emerson Community need not RSVP. Contact mailto:contemporary@emerson.edu contemporary@emerson.edu for help registering before your visit. Hours are Monday through Friday\, 12-5 pm. \n\n\n\nRSVP for the Lightning Talks \n\n\n\nRSVP for the Opening Reception
URL:https://emersoncontemporary.org/event/gather/
LOCATION:Huret & Spector Gallery; Tufte Building
CATEGORIES:Exhibition,Gallery Talk,Reception,Student Projects
ATTACH;FMTTYPE=image/jpeg:https://emersoncontemporary.org/wp-content/uploads/sites/51/2026/03/JohnsonShannon_3_BW.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260323T170000
DTEND;TZID=America/New_York:20260323T190000
DTSTAMP:20260604T223303
CREATED:20260223T233801Z
LAST-MODIFIED:20260306T155523Z
UID:10000148-1774285200-1774292400@emersoncontemporary.org
SUMMARY:Messing With Language: A Multimodal Pop-Up Exhibition
DESCRIPTION:Exhibition Open March 23 – 25 \n\n\n\nOpening Reception: March 23\, 5:00 – 7:00 PM \n\n\n\nMark Hernandez-Motaghy \n\n\n\nJihyun Lee   \n\n\n\nGavin Miller \n\n\n\nBrooke Toczylowski  \n\n\n\nRenato Verdugo  \n\n\n\nkathy wu \n\n\n\nLanguage is deeply tied to culture\, history\, and our identity. It is a tool of communication and a carrier of meaning that takes infinite forms\, functions\, and uses. But language also carries implicit politics in how we name\, represent\, and categorize the world around us.  \n\n\n\nThis exhibition brings together six artists working in the Northeast whose practices critically examine our perceptions of language\, and\, by extension\, of power.  Working across projection\, sound\, installation\, translation\, and code\, their distinct creative processes explore alternative systems of communication and ways of knowing. Through these interventions\, Mark Hernandez-Motaghy\, Jihyun Lee\, Gavin Miller\, Brooke Toczylowski\, Renato Verdugo and Kathy Wu pick apart linguistic systems\, inviting new possibilities for expression.  \n\n\n\nCurated by Sophie Dodd \n\n\n\n*Please note: The Huret and Spector Gallery is located on the 6th Floor of the Tufte Building. Please enter through the doors at 10 Boylston Place Alleyway. Visitor registration and ID required for visitors without an Emerson ID. Emerson Community need not RSVP.  \n\n\n\nContact contemporary@emerson.edu for help registering before your visit.
URL:https://emersoncontemporary.org/event/messing-with-language-a-multimodal-pop-up-exhibition/
LOCATION:Huret & Spector Gallery; Tufte Building
CATEGORIES:Exhibition,Reception
ATTACH;FMTTYPE=image/png:https://emersoncontemporary.org/wp-content/uploads/sites/51/2026/02/Screenshot-2026-02-23-at-4.57.43-PM.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240813T000000
DTEND;TZID=America/New_York:20240817T235959
DTSTAMP:20260604T223303
CREATED:20240806T160424Z
LAST-MODIFIED:20240814T193752Z
UID:10000085-1723507200-1723939199@emersoncontemporary.org
SUMMARY:I Thought I Saw You Watching: Emerson's GBFA 2024 Artist's Showcase
DESCRIPTION:Emerson College is proud to present a series of installations\, crafted by the school’s Global BFA cohort of 2024. Installed in our Huret & Spector gallery space\, the show spans one week\, and features the following artists with their work: \n\n\n\nStill from A recorded conversation between electricity pylons\, translated for human understanding by Kelsey Cohn\n\n\n\nA recorded conversation between electricity pylons\, translated for human understanding \n\n\n\nby Kelsey Cohn Three-channel colour projection\, HD video\, sound\, 60 min loop.A recorded conversation between electricity pylons transcodes a conversation between two solitary pylon towers\, left standing together in a distant\, post-human future. Through their casual musings on life\, nature\, time\, and cosmology\, the audience is invited to reflect on existence from a structuralist vantage point. \n\n\n\nAcross three projections\, the pylons tower over an empty landscape. Here\, they seem more like monuments than infrastructure\, their ability to communicate reframing them as angelic messengers rather than utility structures. As the pylons pass the time reflecting on ecological curiosities and ancient discoveries\, their characterization and banter invites an empathetic humor. \n\n\n\nAt once spiritual\, scientific\, historical\, and whimsical\, the work invites a universal reflection on our origins and place in the ecological sphere. From their divine point of view above the landscape and history\, the pylons alone notice the wires that link our lives deeply to the world around us.  \n\n\n\nThe Normandy Tree Tape  \n\n\n\nby Roz Pederson Single channel display on CRT monitor\, 11minCombining documentary and fiction\, The Normandy Tree Tape exists in the oft forgotten space between story and history\, real and unreal. It challenges our preconceived notions of true and false and allows for a shift in perspective that is rarely considered. Indeed the tension between viewpoints provides the driving force of the piece. It bridges science and mythology\, knowable and unknowable.  \n\n\n\nWhile clearing land in an old growth forest in Normandy\, workers discovered a VHS tape stuck in the roots of a fell tree. When this tape was played back\, they discovered a unique alteration to it. The tape originally was a home recording of a TV documentary\, but through methods currently being studied by scientists\, some of the data on the tape was replaced with narration from the forest. After extensive restoration\, Roz Pederson and her team are excited to present the first public exhibition of The Normandy Tree Tape. \n\n\n\nThis is the myth The Normandy Tree Tape creates\, a story somewhere between folklore\, scientific discovery\, and tourist trap. The installation serves to convince you of this myth. This piece was born from the idea that it is human nature to assume all people to have a set of experiences more or less similar to ours. Through communication\, we learn ways in which this is and isn’t the case\, and approximate the innate human experience. There may be\, however\, sensations so human they become difficult or impossible to identify because the opposite has never been known.  \n\n\n\nThe work imagines what exists beyond the limits of modern communication\, what the sensory experience of the inhuman may be and stands against the truth and for the complete subjectivity of all things. \n\n\n\nInside the Screen by Lisa Siera\n\n\n\nInside the Screen \n\n\n\nby Lisa SieraLive video\, sculpture\, light\, sound\, 1:40Inside the Screen is a spatial interpretation of the world inside the phone screen. It compares the social design created in the digital world to the physical system of the panopticon jail. After years of experience in front of and behind the camera\, the artist examined the intertwined dynamics between cameras\, eyes\, bodies\, and screens. A panopticon originally devised by Jeremy Bentham is a circular prison with cells arranged around a central well\, from which prisoners could at all times be observed.  \n\n\n\nOne-Way Street by Sid Tian Shi\n\n\n\nOne-Way Street  \n\n\n\nby Sid Tian Shi Single channel color projection with videos and soundThis project is an interactive video installation where the audiences take a walk and play around the urban landscapes of Paris. During this journey\, every anecdote\, signs and spectacle of the streets are listed up and collected as an appendix to it.  \n\n\n\nIt consists of one main screen showing the landscapes\, and a supplement screen showing the commentary images and texts. Within the screening area\, the audience can interact with the pace of this journey by stepping into sections in the space\, which will be detected by the monitor camera installed to the ceiling. \n\n\n\nThe journey starts with a call between two friends living in Paris. A calls B\, saying that he is gonna take a walk from his home to B’s. After that call\, the audience is on a street with A\, traveling through the route from Italy 13 to Pére Lachaise. We have no way of knowing about A’s past or his present life. It’s just that we are viewing the city through his scope. He is curious\, loves to observe\, and always looking around\, instead of finishing this journey which leads us to the city fragments and comments we then see. \n\n\n\nThe panopticon allows a watchman to observe occupants without the occupants knowing whether or not they are being watched. The installation’s structure is inspired by the guard tower(the central well) and draws attention to how we are illusioned to hold power over our digital selves through our phones\, essentially becoming the prisoners while thinking we are the watchmen. \n\n\n\nArtist Reception\, Monday August 12th\, 5-7:30pm.  \n\n\n\nLocation: The Huret and Spector Gallery is located on the 6th Floor of the Tufte Building. Please enter through the doors at 10 Boylston Place Alleyway. Please note: visitor registration and ID required for visitors without Emerson Badge.  
URL:https://emersoncontemporary.org/event/global-paris-bfa-thesis-projects-2024/
LOCATION:Huret & Spector Gallery; Tufte Building
CATEGORIES:Exhibition,Reception,Student Projects
ATTACH;FMTTYPE=image/jpeg:https://emersoncontemporary.org/wp-content/uploads/sites/51/2024/08/PYLONS_Still-4-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231211T120000
DTEND;TZID=America/New_York:20231215T180000
DTSTAMP:20260604T223303
CREATED:20231209T143312Z
LAST-MODIFIED:20231211T032121Z
UID:10000063-1702296000-1702663200@emersoncontemporary.org
SUMMARY:PURPOSEFULLY LOST
DESCRIPTION:Presenting the Fall 2023 Photography Practicum: Purposefully Lost\, a varied collection of reflections and expressions by Emerson artists in the BFA program.  \n\n\n\nFeaturing exhibits by the following resident artists:Aquaholic by Kyra Badger \n\n\n\nUrban Eden by Molly Berard \n\n\n\nShit Show by Maya Bergman \n\n\n\nStarring… by Charlene Cheung \n\n\n\nCardboard Reality by Jose Benito Guevera \n\n\n\nConcurrent by Yangyang Huang \n\n\n\nSecond Spine by Yiyi Lu \n\n\n\nDouble Take by Xiaoke Ma \n\n\n\nempathic fluorescence by Mia Moore \n\n\n\nDeinstitutionalised by Julia Tweedie  \n\n\n\nTraces Echo by Yuchun (Emily) Zhou
URL:https://emersoncontemporary.org/event/purposefully-lost-photos/
LOCATION:Huret & Spector Gallery; Tufte Building
CATEGORIES:Exhibition,Student Projects
ATTACH;FMTTYPE=image/png:https://emersoncontemporary.org/wp-content/uploads/sites/51/2023/12/image0.png
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