Emerson Contemporary

In Conversation: Artists Jack Gruman and Logan Puleikis of VHF Studio will be talking with Malic Amalya
2025-11-19 18:00 - 19:30 (America/New_York)
Wednesday, November 19, Artists talk 6:30- 7:30pm, 6pm doors –

In Conversation: Artists Jack Gruman and Logan Puleikis of VHF Studio will talk with Malic Amalya, Assistant Professor of Experimental Media and Film Production, about the conceptual underpinnings of their installation “Narcissus look back: and they love you,” that is currently on view at the Emerson Media Art Gallery until December 13th.

This embodied, multi-sensory experience with a camp aesthetic explores loneliness as a collective experience in our current moment. They will discuss the tenuous and often shifting relationship between spectator and performer, loops of identity, and the duality of being haunted/haunting. With Malic Amalaya, the artists will discuss major influences on their piece, the political and moral values intrinsic to their work, and the challenges they’ve faced making and relating to art at this socio-political moment.

VHF STUDIO is a new media collective founded by artists Jack Gruman and Logan Puleikis. As collaborators they make genre-defying installation work, blurring the boundaries of “low” and “high” art. They pull inspiration from the queer club scene, haunted houses, and popular media to create high concept large-scale multi-channel video and sound installations.

Moderated by Dr. Leonie Bradbury

Location: Media Art Gallery, 25 Avery Street, Boston, MA

Lisa Tang: "Be Whole In Everything" MFA Thesis Show
2025-12-01 12:00 - 2025-12-03 18:00
This work is a non-doctrinal spiritual practice made visible. It draws on prehistoric abstraction, sacred geometry, and the ordinary courage of repetition. Each element invites a small, complete gesture: to strike, to bow, to trace. The videos loop; the stones hang; breath returns. Nothing is illustrated, yet everything is implicated — matter, memory, tide, light.

To be whole in everything is not to be grand. It is to become exact in presence: to place your full attention inside the tiniest coordinate, until the world answers back.

Art Party, End of Semester Celebration
2025-12-04 18:00 - 20:00
Thursday, December 4, 6-8 PM

Art Party 2024, Zine-making table.

Get ready for Emerson Contemporary’s 2nd ‘Come Make Your Own Art Party! Let’s celebrate the power of art together. Join us for an evening of zines, buttons, paint-by-numbers, and of course, pizza. Relax, unwind, and let your imagination run wild alongside fellow artists and dreamers.

Location: Media Art Gallery, 25 Avery Street, Boston, MA

Leaning Against The Wall: Photo Practicum Fall 2025
2025-12-08 12:00 - 2025-12-10 18:00
You are cordially invited to attend this year’s Photo Practicum Fall 2025 exhibit

This semester, students in Lucie March’s photography class dove into themes such as identity, the passing of time, and our roots represented through six different personal projects. We invite you to join us for the reception of our show at the Huret & Spector Gallery on December 9th, from 6 pm – 8 pm. We hope to see you there!

Exhibiting artists: Emilie Dumas, Kiki Tobor, Natalie He, Danny Kennedy, Zoë Grandstaff-Gruber, Cooper Rich

A Sentient Land: Aesthetic Alliances with Forests, Beetles, Salt, and Air
2026-01-21 12:00 - 2026-03-28 18:00
Nelly-Eve Rajotte, Les arbres communiquent entre eux à 220 hertz, 2024. Video installation: 3-channel 4K video, colour, generative sound, 25 min; modular synthesizer, electrodes, and tree. VFX artist and software developer: Codrin-Mihail Tablan Negrei. Courtesy of the artist.

A Sentient Land: Aesthetic Alliances with Forests, Beetles, Salt, and Air, a four-person exhibition featuring works made through innovative intersections of science, aesthetics, and spirituality.

Artists Margaux Crump, Julia Krupa, Eileen Ryan, and Nelly-Eve Rajotte realize the potential of communicating directly and sharing authorship with the materials they use to make their art. Their artistic practices are intuitive and collaborative, enabling trees, stones, salt, and air, among other materials, to inform the creative process and the resulting potential meanings. Their methods include a cloud chamber, oral history, bio-sonification, LIDAR scanning, fumage, and saining.

The resulting works of art forge stronger interspecies connections and increased empathy and hope for the future. These innovative modes of working also raise questions: do the artists translate on behalf of the materials? How do speculation and anthropomorphism fit into these explorations of restoration, time, and scale? The four immersive installations engage viewers in dynamic aesthetic experiences that may linger beyond the gallery as a shift in perspective.

Curated by Shana Dumont Garr

Exhibition catalogue featuring essays by Shana Dumont Garr, Doctoral Candidate, Jennifer Hall, Ph.D., and Martina Tanga, Ph.D.
