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DTSTART;TZID=America/New_York:20260915T120000
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UID:10000155-1789473600-1797098400@emersoncontemporary.org
SUMMARY:Thin Places: Thresholds of Transmission
DESCRIPTION: Thin Places: Thresholds of Transmission  \n\n\n\nSeptember 15 – December 12\, 2026  \n\n\n\nEmerson Contemporary\, Media Art Gallery\, Boston\, MA  \n\n\n\nSabrina Ratté\, PLANE of INCIDENCE\, Single-channel video (still)\, 2024.\n\n\n\nThin Places: Thresholds of Transmission brings together works by Beatrice Glow\, Megan and Murray McMillan\, and Sabrina Ratté that explore the unstable boundaries between object-hood and atmosphere\, material presence and ephemeral experience. Across sculpture\, moving image\, and installation\, the exhibition considers how contemporary artistic practices are shaped by forms of ecological\, technological\, cosmic\, and sensory transmissions that exceed fixed or stable material states.  \n\n\n\nThe artists included in the exhibition approach matter not as static substance\, but as dynamic process: something continuously shifting across thresholds of visibility\, perception\, and relation. Astrophysical systems\, environmental histories\, speculative fictions and digital simulations become intertwined fields through which viewers encounter forms that are at once tactile and immaterial\, intimate and planetary. Across the exhibition\, distinctions between the virtual and the physical\, the speculative and the real\, are in doubt.  \n\n\n\nBeatrice Glow\, Textures of Time\, single channel video\, 2025. \n\n\n\nBeatrice Glow’s materially grounded installations trace the movement of cultural\, ecological\, and historical forces across global systems of exchange\, connecting sensory experience with environmental transmutation. Megan and Murray McMillan’s sculptural and video-practice translates cosmic and environmental phenomena into embodied spatial encounters\, activating relationships between gravity\, perception and physical form. Sabrina Ratté’s speculative digital environments imagine hybrid ecologies in which technological systems and organic forms merge into continuously evolving atmospheric worlds. \n\n\n\nMegan and Murray McMillan\, This Collapsed and Expanding Breath\, Three-Channel Video Installation\, 2025. Installtion view\, The Jamestown Art Center. \n\n\n\n 
URL:https://emersoncontemporary.org/event/thin-places-thresholds-of-transmission/
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20260923T170000
DTEND;TZID=America/New_York:20260923T190000
DTSTAMP:20260911T010304Z
CREATED:20260911T005924Z
LAST-MODIFIED:20260911T010304Z
UID:10000157-1790182800-1790190000@emersoncontemporary.org
SUMMARY:
DESCRIPTION:Artist Reception: Free and open to the public. \n\n\n\n\n\nJoin Emerson Contemporary for an artist reception celebrating Thin Places: Threshold of Transmission\, featuring Beatrice Glow\, Megan and Murray McMillan\, and Sabrina Ratté. \n\n\n\nThe exhibition explores moments when the boundaries between different worlds become less certain\, between past and present\, physical and digital\, human and machine\, and earth and cosmos. Through sculpture\, video\, installation\, and interactive media\, the artists consider how we move between different realms of experience and how technologies\, both ancient and new\, help us make those crossings. \n\n\n\nMeet the artists and experience the exhibition during this opening reception. All are welcome. \n\n\n\nFree and open to the public.
URL:https://emersoncontemporary.org/event/artist-reception-and-celebration/
CATEGORIES:Exhibition,Public Program,Reception
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DTSTART;TZID=America/New_York:20270126T120000
DTEND;TZID=America/New_York:20270327T180000
DTSTAMP:20260605T005309Z
CREATED:20260604T220406Z
LAST-MODIFIED:20260605T005309Z
UID:10000156-1800964800-1806170400@emersoncontemporary.org
SUMMARY:Keiken
DESCRIPTION:Keiken (経験)\, meaning “experience” in Japanese\, is an artist collective that pioneers a collaborative approach to creating immersive worlds through embodied\, empathetic technologies\, and deep world-building. In using speculative and participatory storytelling\, they blend science fiction\, consciousness research\, gaming\, and emerging technologies to create experiences where the digital and physical merge\, and where audiences step inside alternative realities.  \n\n\n\nThrough these experiences\, visitors encounter contemporary Japanese perspectives on some of the most pressing questions facing societies today. In their first U.S. presentation\, Keiken’s artistic practice explores lived experience\, perception\, and what it means to be human in an increasingly digital and post-human era. Rather than accepting dominant narratives about the future\, the collective creates immersive environments that allow audiences to role-play alternative forms of existence\, test new social structures\, and imagine different relationships between technology\, ecology\, and community.  \n\n\n\nInternationally recognized for their innovative artistic practice\, Keiken received the Chanel Next Prize in 2021 and the Lumen Prize in 2024. Their work has been presented at major international venues including the Venice Architecture Biennale\, MUNCH in Oslo\, and the 21st Century Museum of Contemporary Art in Kanazawa\, Japan\, and the collective has served as artist-in-residence at Somerset House in London. 
URL:https://emersoncontemporary.org/event/keiken/
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